Technically you can use Wi-Fi, but again, because these connections can be unstable, hardwiring to your modem via Ethernet is much better. IpDTL. This type of connection replaces the much more expensive ISDN, and also helps voice actors connect with producers and clients over the Internet. Just know that if Source Connect is a requirement for a project, you’ll be causing the producers a huge headache if you get selected and they find out you don’t have it. It’s an investment you will need to make if you want the higher paying jobs. Wi-Fi connections with a router generally aren’t stable enough. You also need to hardwire your computer or laptop to a high-speed modem using an Ethernet cable. There is a free NOW (web-based) version, but producers will almost always want to use the paid Standard version (~$695 one-time, or $39/month). The bad news is that Source Connect is expensive. They take your raw audio that they’ve recorded at their end and do all of the editing. This means that once you’re done recording, you’re done. This is because Source Connect is software that links your home studio to a professional studio at the other end through a solid Internet connection. The good news is that all you have to do is read the script. You will find that many higher end clients prefer to use Source Connect for directed sessions. Also, make sure the people on the other end mute themselves while you record. Speaking from experience, it’s no fun when your audio input levels start changing in the middle of a recording because you didn’t sync up your Zoom levels with your microphone input levels. Make sure you practice with whatever platform you’re going to use because the audio settings in the app can mess with the audio settings of your laptop, microphone, interface, or DAW. There are others available, so just be ready to adapt to the producer’s or client’s preference. Zoom, Google Meet, Skype, or other free online meeting apps. Every time I’ve done a live session using an online app, it’s been with Zoom or Google Meet. Here are some of the more common ways you can connect with producers and clients. Sometimes, the client will state specifically how they want to connect with you for the session. When you’re reading through the job specs for an audition, make sure you pay very close attention to the fine print if a live directed section is required. Common Ways to Connect to Producers and Clients If you do decide to audition for a project that will require a live session and you get the job, here are some things you can expect when it comes time to connect. However, you get to avoid all the back-and-forth of final audio submissions, endless retakes, and possibly all editing responsibilities. Yes, the producers and possibly the client will hear what your unfiltered voice sounds like, unlike the cleaned-up version in your audition. What if I messed up? What if there was some technical glitch? What if they absolutely hated the way I sounded live, with all of my mouth clicks and plosives?Īfter having done several live directed sessions with a wide variety of connection types, I actually look forward to them now, and wish I had more of them. At first, I was absolutely terrified of the idea. I wasn’t exactly sure what this entailed, but after a little bit of research, I realized it meant that I would have to connect online with someone telling me how they wanted me to read the script. When I first started auditioning for voiceover jobs, I came across many projects that said a live directed session would be required.
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